The stunning metamorphosis of twenty-first-century Hollywood and what lies ahead for the art and commerce of film. In the past decade, Hollywood has endured a cataclysm on a par with the end of silent film and the demise of the studio system. Stars and directors have seen their power dwindle, while writers and producers lift their best techniques from TV, comic books, and the toy biz. The future of Hollywood is being written by powerful corporate brands like Marvel, Amazon, Netflix, and Lego, as well as censors in China.Ben Fritz chronicles this dramatic shakeup with unmatched skill, bringing equal fluency to both the financial and entertainment aspects of Hollywood. He dives deeply into the fruits of the Sony hack to show how the previous model, long a creative and commercial success, lost its way. And he looks ahead through interviews with dozens of key players at Disney, Marvel, Netflix, Amazon, Imax, and others to discover how they have reinvented the business. He shows us, for instance, how Marvel replaced stars with universes, and how Disney remade itself in Apples image and reaped enormous profits.But despite the destruction of the studios traditional playbook, Fritz argues that these seismic shifts signal the dawn of a new heyday for film. The Big Picture shows the first glimmers of this new golden age through the eyes of the creative mavericks who are defining what our movies will look like in the new era....
|Title||:||The Big Picture: The Fight for the Future of Movies|
|Format Type||:||Kindle Edition|
|Number of Pages||:||309 pages|
|Url Type||:||Home » Download » The Big Picture: The Fight for the Future of Movies|
The Big Picture: The Fight for the Future of Movies Reviews
Excellent read for those interested in the current climate in Hollywood, one that favors massive cinematic universes and movies with explosions, while giving short shrift to anything that doesn't include killer robots. The author explores the current players in Hollywood, including the studios, the outside money and influence coming in from places like China, and new players in the television industry that, every year, seems to be making more and more excellent dramas and comedies. It's the gold ...more
"Kevin Tsujihara called Lin and asked whether he had more ideas for Legos. Lin replied that he did and almost immediately sent the studio a plan. It was in fact the presentation he had prepared for the DC movie franchise seven years earlier. "I literally just put the Lego name on it and revised a few of the details, but all of the notions were the same," Lin later explained."
Very interesting examination of the current state Hollywood, very much a good news/bad news thing. The good news is that Hollywood is making product that, apparently, people want to see. The bad news is that the big studios have become franchise machines, only interested in making superhero movies or other series films (like Fast and Furious); the movies are so expensive that the profit margins are going down, and audiences are already showing signs of franchise fatigue. Much of the research for ...more
Ben Fritz of the Wall Street Journal loves movies. He is passionate about the experience of communally watching a film, the unique ability for artists to tell their stories, and the Hollywood business machine behind it all. But man, he hates franchise features. From Marvel and DC to Star Wars and Star Trek to dinosaurs and robots, he sees these spectacles as indie film destroyers and creative blockers. To some extent, he might be right. What Fritz seems to have forgotten along the way, and a poi ...more
A fascinating look into the state of the motion picture industry. A cautionary tale that is partly out of date before it is published but, instead of taking away from the quality of the book, only serves to underscore its central thesis. A must read for all fans of film.
There's nothing here that really comes across as surprising or shocking if you've been paying attention to the industry, but it's nice to see just how and why it unfolded in specific ways; in this case, at Sony, who have been slow to adjust. The first half of the book uses the hacked Sony documents to show how the change of the last 10 years flummoxed them, and the second half is about how Disney rose to prominence and flattened the competition but also a lot of the creativity. Entertaining and ...more